Noah Wyle which was the highest rated movie on cable that year (2004), its sequel, “The Librarian: Return to King Solomon’s Mines” and the third installment of the franchise, “The Librarian: Curse of the Judas Chalice.” Along with Bryan Singer’s Bad Hat Harry production company, Electric produced SyFy Channel’s “The Triangle,” which won an Emmy for its Visual Effects, and was the highest-rated miniseries on the cable channel since “Steven Spielberg Presents TAKEN” (2002).

Electric’s most recent film projects include MGM’s Flyboys and Sony Picture Classics’ politically-charged documentary Who Killed the Electric Car?, which was nominated by the Broadcast Film Critics Association for Best Documentary Feature.

Electric launched Electric Visual Effects (EFX), which uses the new division as its in-house effects arm allowing the filmmakers they work with to stretch their dollars way beyond traditional effects budget boundaries. The EFX crew has been assembled from industry veterans Devlin had previously collaborated with on his global box-office hits including Independence Day, Godzilla, The Patriot, and Eight Legged Freaks. EFX is headed by veteran visual effects producer Mark Franco, whose career spans over twenty-five years and includes productions such as Titanic, Batman & Robin, Armageddon and How the Grinch Stole Christmas.

Electric recently launched its international theatrical film and television sales and acquisitions division, which is headed by Sonia Mehandjiyska.

Devlin is currently in pre-production on his feature directorial debut, GEOSTORM, which he is producing with Skydance Pictures’ David Ellison and Dana Goldberg and his Electric Entertainment team of Marc Roskin and Rachel Olschan.